The known world:
mother, thigh.
Overhead
the mystery of other
heads, strange
language of other voices.
Laughter. Shrieks.
Carnival is the organ music
that spins with
the green and white
wheels of light;
with the paper lanterns
in subtle swing on the strings
dangled between the yellow and blue
tented booths,
where the music smells of
roasted almonds, popcorn,
and hums
with the hiss of friers
and the fitful clack
of rings and buzzers,
mallets and bells;
past the games
and beyond the faces,
through this perimeter
the music
joins the swirling heart
of laughter and shrieks—
Child sees
there is another world
given
between the bodies,
opened
in the changing
direction of the laughter
and the shrieks.
Sees it is through the music
the light
spins and swings
the wheels and lanterns.
Sees a music
given to itself.
In this,
child has lost
mother, thigh,
but, given as breath,
must bear out
the absence:
to grasp at air
in which hover
the other heads,
the other voices,
thrust into
the other world
past the perimeter of bodies.
Child learns
to be lost, is—
the carousel of horses
with golden rods
through their hearts,
condemned to
the instant of terror.
If only there were saddles
for their savaged eyes,
if only there were bridles
for their mouths, pried
open in delirious
laughter and shrieks
that issue
in the quavering pitch
and unalterable
loudness
from the steaming calliopes
of their hearts.
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