for Jon G.
At the edges of all sound: soft
clatter of cups, saucers, a bowl
for blackberries, just picked, after
the table is cleared, by a fair girl
who bunches her white linen skirt with her
free hand as she bends into
the bush. There is a slight smudge of purple
on her lace hem. She cannot see it.
At the edges, sound: light
taps from a hammer in the hand
of a farmer's son, hands that will bear
calluses, in time. He is building a ladder
in the stable, from the branches of a
willow, fallen from last rainy season.
He nicks his thumb. The wood takes in his
blood. He does not notice but he is not at work.
Edges, sound: No longer
do you need to know how far away the
edges are. When you wake
you are past the edges, still, still
among the meadow grasses, wildflowers,
untouched but for bees, birds, wind, sun,
or the hands of a fair girl receiving
a farmer's son's gift. You can close your eyes again.
No more edges when you wake again.
Only light, for it is still,
still day. Keep your eyes
closed. You can tell the passage
of time by where the sun falls
on your face. A sun whose warmth
you can measure in the terms of a woman's body
still wet from bath water,
or still slow from sleep
in the morning. Time, whose passage you
can feel in the direction of wind, the song it brings.
The crickets begin early. A young moon.
And beyond, the silence of knowing
there is nothing else—no more chores,
no more words. And beyond,
the silence of being at perfect rest.
John K., 8/24/2009, 7-8PM
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